History Festival: Call For Content

EKCO works. c.1930s

We are excited to announce the Snapping the Stiletto: Essex Women’s History Festival. The FREE event will take place on Saturday 9th March 2019 at the University of Essex Business School, Wivenhoe.

The event, organised in partnership with the University of Essex, will bring together stories of inspirational women from around the county, as well as including a range of hands-on activities. Like the rest of the project, the festival is focussing on the hundred years since the Representation of the People Act 1918.

We would like to include as many people as possible in the event, so have launched our call for content. We are looking for:

  • 20 minute presentations about individuals or groups of Essex women
  • 8 minute “lightning” presentations
  • “Craftivism” art or craft activities
  • Introductory digital “maker” demonstrations
  • Films
  • Display stands/exhibits for relevant organisations
  • Other – if you have an exciting idea that’s not included above, we still want to hear from you

More information and an application form can be found here.

If you want to hear more about the festival, including when tickets become available, you can sign up to our mailing list.

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Meeting the Exhibition Team

Today’s blog is written by Jo Gillam, one of the volunteers who has joined the project to help us create an exhibition. Jo advises museums on learning and access and she has her own blog – but today she is acting as guest blogger for Snapping the Stiletto.

 

On 13th July, one half of the exhibitions team for Snapping the Stiletto met for the first time in beautiful former Georgian mansion, Hollytrees Museum in Colchester. Seven volunteers from across Essex gathered with Project Manager, Pippa Smith and Interpretation Trainer, Stewart Alexander (@storylinestew). We were there to learn and discuss how to turn new research on local women who were active outside the home over the last century, into a meaningful, influential, accessible exhibition.

Hollytrees Museum Colchester

Pippa was a welcoming presence throughout the day. She was on hand to answer questions about the project such as timeframes and the different ways team members would be involved. Pippa stressed that it was the team’s exhibition with her role being to co-ordinate, organise, and “to act as a filter”.

Stewart guided us through good practice when writing interpretive text, giving us exercises involving the personal objects we’d all been asked to bring. I studied heritage interpretation post-degree and have a little experience of producing displays, so it was good to re-visit the theories of practitioners like Tilden. The group considered the use of intangibles and universal concepts, that people remember stories not facts, ways in which we might decide which stories or parts of them to tell, and how to get to the nub of a message. It was agreed that we should try to create pictures in the minds of readers, rather than simply writing summaries of facts, and to try to make emotional connections. Everyone was given practical writing guidelines which covered details such as word counts and sentence length. Towards the end of the day, we practised some of our learning using information on Southend worthy, Adelaide Hawken.

The third, important element of the day was the chance to get to know fellow volunteers. Apart from all being female, we were a varied group whose diverse ages, backgrounds, knowledge, skills and experiences should result in a team of many strengths. I’m certainly looking forward to working with such interesting women and building relationships with the remaining team members who will be getting together on 4th August.

Apart from meeting new people and finding out more about the structure of the exhibition project, what key point did I take away from the day? For me, it was that the messages we choose should meaningfully express the essence of what we wish to say and when combined should make complete stories. If the team can come up with clear messages of this nature, we’ll have a good basis for an excellent exhibition of stories audiences will leave caring about.

Jo Gillam @1accessforall

(Thanks to Hannah Salisbury for the photographs)