Why Now?

Amy Cotterill, Museum Development Officer, explains why Snapping the Stiletto is looking back on the past hundred years and examines why the stories we’re uncovering are relevant today.

handmaid

Elizabeth Moss as Offred in The Handmaid’s Tale

Sunday saw the return of The Handmaids Tale to Channel 4. Based on the novel by Margaret Attwood, it depicts a future where American women’s rights have been thoroughly supressed. They are not allowed to read, have jobs or have bank accounts.

 

Over the weekend, I read this interview with Margaret Atwood, discussing how the book is frighteningly relevant today, arguably more so then when it was first published in the 1980s. It made me think about this project, why I instigated it and how much has changed for women (both positively and negatively) in just the last couple of years since I started working on it.

 

Relevance when it was originally written…

Things began back in 2016, when museums across Essex were taking part in a WW1 commemoration project entitled Now the Last Poppy Has Fallen. The project was coming to an end and several museums asked me to support them in running another countywide project. A quick Google search revealed that 2018 marks 100 years since the first UK women got the vote, 90 years since women were able to vote on equal terms with men and 50 years since women employed by Ford at Dagenham went on strike for equal pay. Given the local and national relevance, and the negative stereotype surrounding “Essex Girls”, a project celebrating the women of Essex was an obvious choice for all of us. We wanted to explore how women’s lives have changed during this last century and highlight stories of inspiring individuals to help shift perceptions of what it actually means to be an Essex woman.

 

As I worked with the museums to flesh out the project, the need for a project researching the history of women in the county became very clear. Most museums had very little knowledge of what was in their collection regarding women’s history. For most of the past hundred years, museum collections have been assembled and researched by men, often pursuing their own particular areas of interest. Women’s history has been very much neglected. We knew that the museum collections contained objects that could tell stories of many amazing women, but we lacked the information to know what those stories are.

 

While I was writing our application to the Esmee Fairbairn Collections Fund, the “period tax” and debates around equal pay were very much in the news, and this certainly informed how the project was developed.

Consulting with the museums, we were very clear that this project was about two things.

  1. Improving museum’s own understanding of Essex women’s history over the past hundred years and how that is reflected within their collections
  2. Sharing the stories we uncover with as many people as possible

 

Our definition of an “Essex woman” is very broad and we have always wanted to make sure that the stories include those of women who migrated to Essex from around the world.

It was also clear to us that we reach people who don’t usually visit museums with our project, we need to work with members of the public to help plan and deliver the project. Our Project Manager Pippa Smith has been conducting a lot of consultation to find out what themes to focus our research on and how we can present the information to reach as many people as possible.

 

Relevance now…

I always believed that in showing how much women’s lives have changes, we would highlight how much still needs to change, but I was unprepared for how much the news would be dominated by women’s rights during the last two years. The election of Donald Trump and the protest marches this sparked, #MeToo, Meghan Markle giving up her career as an actress when she got married and the Windrush Scandal at a time when we are trying to promote how much migrant women have done for our county. The gender pay gap and period poverty have not gone away and continue to be issues that need addressing.

 

Today is the Irish Referendum on the Eighth Amendment. Depending on the outcome, women there may gain the rights that Essex women have had since 1967 while in America, Trump’s administration is seeking to cut funding to family planning clinics if they provide “abortion related services”.

 

The research done by our incredible volunteers has uncovered so many parallels to these “modern” themes. The protests of the suffrage movement, women being sacked as teachers because they had married or finding that their pay had been cut when they returned from honeymoon because “their husband would be providing for them”, the first women’s clinics being founded in Essex during and after World War 1…

 

I am already proud of the work this project is doing, but I hope that when it ends in Autumn 2019, we can say that we have not only been relevant, but that we have led to positive changes for local women.

 

If you to be involved in Snapping the Stiletto, we have numerous volunteering opportunities, including helping with events and writing exhibition text. Find out more here. New opportunities are added regularly so do keep checking back.

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Focus on… Brightlingsea Museum

Herrings smoking Mussons c1920

It’s an exciting time at Brightlingsea Museum. They are in the process of moving out of their current building and into a brand new, purpose built one and plan to re-open in 2019.

 

The museum are looking for volunteers to research some important women from Brightlingsea, both as part of Snapping the Stiletto and to inform the displays in their new museum.

 

Could you help research the women who worked in the Brightlingsea Fish Yards? While thought of as a “male” profession, photos like the one above (from the museum’s collection) show that women worked there too and we would love to know more about them, the work they did and lives they lead. We are recruiting volunteers to spend an hour or two searching online, finding information for us to follow up on later or people able to visit the Essex Record Office in Chelmsford and do in-depth research.

 

Crooks Reginald Josie nee Culling, Teacher UDC and BowlingAnother story that the project and museum are keen to know about is that of Josephine Culling, the first female Chair of Brightlingsea Urban Distrct Council, former teacher and National Bowls Champion. She was an influential woman in Brightlingsea during the mid-Twentieth Century but we know very little about her.

 

Brightlingsea Museum is also looking for people to help share their social media, promoting both our project and their move.

 

To find out more about all of our volunteering opportunities, click here.

Who is The Mystery Suffragette?

Guest post by Iona Farrell, Assistant Curator of Social History at Southend Museums.

At Southend Museums we are uncovering the hidden histories of campaigning Southend women. Through a team of fantastic volunteers we are discovering more about two inspiring women- Rosina Sky and Councillor Adelaide Hawken- who both campaigned for better lives for women within the town.

Rosina Sky fought for the enfranchisement of women alongside being an independent businesswoman whilst Councillor Hawken’s tireless efforts led to the founding of the first mother and baby clinic within the town.

We’ve found images relating to these women and other campaigners in the town but we want your help in finding out more.

Can you help us uncover more stories?

Who is this unknown Suffragette?

 

Votes for Women.jpg

This photograph shows a Suffragette believed to be taken in Southend yet we know little of who this woman is.

Can you help us discover her story? Can you help us give her a voice?

 

The women at the Westcliff Institute

ww1 baby clinic 2These images depict a mother and baby clinic believed to be located at the Westcliff Institute, now the Trinity Family Centre. Following research uncovered by Snapping the Stiletto volunteers this was the site of the clinic founded by Councillor Adelaide Hawken in 1915. It provided much needed support and advice for mothers and aimed to reduce infant mortality rates.

ww1 baby clinic 5

We believe these photographs are of the Clinic, can you help us identify the women and children involved?

Can you help us learn more about these photos and the Westcliff Institute?

We want to hear your stories.

ww1 baby clinic 4

 

If you can help identify any of the women in these photographs or can share stories of the clinic, pleased contact  Southend Museums by emailing ionafarrell@southend.gov.uk

 

Want to become a volunteer?

If you want to help uncover more hidden histories, sign up as a Snapping the Stiletto volunteer