Construction explores the ways we project identities and construct personas through the clothing we wear and how we wear it. Current obsessions and pressures regarding self-image and its documentation online make it a timely and highly relatable exhibition for visitors. Particularly for women, clothing has been a medium through which to express oneself but also to restrict, through societal expectations of body image and appearance.
Playful and bold fashion on display
The wide-ranging exhibition showcases pieces from the costume and fine art collection alongside designer fashion and specially commissioned photography. The display of garments breaks from traditional chronological formats through unexpected placements of contemporary fashion with historical garments and a range of mounting techniques.
Visitors will find a 1640’s slap-sole shoe placed next to a 1970s brothel creeper whilst Alexander McQueen’s Autumn/Winter 2009 fashion show is projected alongside formal 17th century portraiture. These jarring juxtapositions alongside bold colours and unusual displays create a modern, clashing effect and recreate how a designer approaches a collection through assimilating contrasting influences and inspirations. These clashes also reflect the ways we borrow from diverse influences when dressing and expressing our individual identities.
The exhibition considers how the physical construction of garments alters our bodies and enables us to embody new personas. For women especially their bodies have continually been shaped by fashion in order to fit in with societal expectations and pressures. This still continues today and on display is a waist trainer from 2017, a modern day corset.
The Construction Exhibition
Yet fashion can be a medium for positive expression. The contemporary designer items on display show fashion as a form of celebratory self-expression. Bold brash power suits from the 1980s show clothing as a way to project empowered identities, at a time when women were increasingly entering more executive positions in the workplace and had greater disposable incomes through which to spend on fashion.
Jean Paul Gaultier suit c.1990s
Ideas on how fashion can both empower and restrict women will be explored in a curator led tour of the exhibition on Friday the 16th of March from 12pm-12:45 pm. The tour will unpick the great social and political changes in women’s lives through fashion and discuss current developments within the fashion industry.
This talk arrives at time of increasing awareness of gender inequalities, in the wake of campaigns such as #MeToo and the BBC pay scandal. More so than ever fashion is a tool to protest and attendees at recent awards ceremonies have expressed solidarity with the Times Up movement by wearing black.
The talk will give the chance to explore in depth the pieces on display and gain insights into how fashion history can be used as a tool to document changes in women’s lives.
Tickets are free and can be booked online or collected from the Beecroft Reception desk
Beecroft Art Gallery
Tuesday- Saturday 10am – 5pm